Thursday, October 6, 2011

Free Saxophone, Trumpet, Clarinet, Flute, Guitar Appraisal from Christopher Elliott LLC


Whether you are looking for an estimate to present to your insurance company, or looking to get a market value to sell your instrument, let Christopher Elliott LLC help you determine the value of your saxophone, trumpet, flute, trombone, clarinet, bugle, guitar, oboe, bassoon, or any musical instrument, by getting our FREE Instrument Appraisal!

Visit our website www.whatsmysaxworth.com and fill out our Free Instrument Evaluation / Appraisal form, and we will respond within 3 business days. This service is absolutely free for you, and we will provide you with the following information for your records:

Actual Item Value – This is the value that we would suggest as an insurance replacement value, based on the items current condition.

Actual Market Value – We use comparison values based on recent sales to come up with an actual market value for your instrument. This is the value that we feel your instrument would have in the market in its current condition.

If you are interested in selling your instrument, we will also provide you with our cash offer for your item. Christopher Elliott LLC has been actively buying and selling musical instruments for over 6 years and has been established as a leader in the industry. We provide fair and honest evaluations, and can pay you immediately for the instrument you are selling. We have customer service agents around the United States that can often pick up the instrument directly from you and deliver your payment so you don’t have to worry about shipping it to a company you may have never heard of! Once we know your location we can determine if we can have the instrument picked up.

Contact us today or visit our website at www.whatsmysaxworth.com and fill out our Instrument Evaluation / Appraisal Form.

We look forward to working with you!

Brian S
Christopher Elliott LLC
Florida

Thursday, August 18, 2011

Why your kid will quit band, and others won’t.


I’m a parent of three children, none of which are of the age to seriously begin playing an instrument (4, 3 and 1). In my household, there is a good chance that each of them will learn to play something (hopefully saxophone, piano, and/or guitar). If not, I’m OK with that, but if they do, I’m pretty positive they will not quit. Why is that? As a student I was able to learn from my parents example, which is why both my sister and I played (excelled at actually) our instruments all the way through high school, and for myself, into college.

I speak to parents on a regular basis, and my number one advice for them is always this: it doesn’t matter what ‘brand’ you buy your kids (although CE Winds has my favor and stamp of approval), just make sure that it plays right from the beginning, and does not hinder your child from being able to play everything they need to play. When visiting with some very talented high school saxophone players recently in Miami, during an event for the Gold Coast Jazz Society, we brought some CE Winds ProSeries saxophones; tenor, alto, and soprano, along with us to let some of the kids try them out. In example after example, the kids were able to pick up our instruments and do things they were never able to do before on their own instruments. Even though these young musicians were very talented, their equipment was keeping them back. One even commented on how frustrated he was with himself that he couldn’t play certain things, but then was so relieved that he could, knowing it was just that his sax was holding him back the entire time.

Regular maintenance is necessary, not optional

This leads us into the next important step; keep the instrument properly serviced, at least every six months, but no less than once per year. This is so vital, because, student instruments generally take a lot of abuse, every day, and although they should be built well to withstand day to day abuse, they still need to be serviced.

Reinvest into their gift

As your student progresses, so should their equipment; the mouthpiece, the reeds, and perhaps, the instrument. By changing things up you will really keep them interested longer. Don’t go crazy and buy the most expensive mouthpieces in the market, but do some research and let them try some different models out, and different reed combinations. This is the reason we offer a consultation on mouthpieces; it helps the parents, and students, pick the right mouthpiece for them to meet their needs. It makes so much sense to not lose your entire investment by not reinvesting into their talent. It needs to be fresh, and it needs to be exciting.

 Support means more than anything

And finally, and this has nothing to do with their ability, just be there for them. When I talk with parents who are really into ‘being there’ for the kids, taking them to competitions, watching them play or practice, just encouraging them, it makes a HUGE difference on whether they keep playing, or quit.

There are cases where them playing is just a lost cause, but perhaps it’s because they have been trying the wrong instrument. Once good thing to ask BEFORE they start to learn to play is why they picked that instrument. Did they pick it, did the band director pick it for them, or did the ‘economy’ pick it? If they did not pick it themselves, then they will immediately lose some of the passion for playing. If the band director picked it for them, talk to the band director and ask them why they did not allow your child to play their instrument of choice. If the economy picked it (because of the cost of instruments) then call us (904.996.9312) or another expert in buying/selling musical instruments. There are always options and answers, and we can help you find answers.

Peace,

Brian S.
President, Christopher Elliott LLC

Thursday, August 4, 2011

New Christopher Elliott LLC Division - Cash4Sax.com!

CashForSax.com is a division of Christopher Elliott LLC located in Ft Myers, Florida, with contacts in several US cities that can assist us in making instrument purchases. We are an established leader in buying and restoring musical instruments for resale purposes, have excellent customer service and response time to answer all of your questions.

If you have a musical instrument (saxophone, flute, clarinet, trumpet, guitar, etc) sitting around collecting dust and have no plans on playing it again, or have a young student that is giving up their once 'dream', fill out our short form and we will respond to you with information on how we can purchase your instrument from you completely HASSLE FREE!

Not only do we purchase instruments, but we are a full service restoration shop for musical instruments, and we specialize in saxophone restoration and repair. Our services include tuning, pad replacement, complete overhauls, and we work with some of the finest instrument refinishers in the industry. If you are interested in having your instrument repaired or restored, please contact us and we will be glad to provide you with an estimate.

We also offer consignment services for all musical instruments; saxophones, flutes, guitars, etc, through www.christopherelliottinc.com, all at the lowest fees in the industry!

If you have any questions regarding our purchasing program, visit our FAQ page, or contact us by email. We are also available by phone Monday through Friday from 9am-5pm EST. Just call 904.996.9312.

Thursday, February 24, 2011

The pursuit of the perfect mouthpiece


Stop right there. It does not exist. What’s good for the goose isn’t always good for the gander. The grass isn’t always greener on the other side. Insert any other catchy phrase that sums up the first few words.

I talk to people everyday looking for the right mouthpiece for them. I always say we (CE Winds) are a good starting point, because you can get expert (term used loosely) advice, and we have a few mouthpiece options that give you different variations in the sound you may be looking for. I think we have everything covered with the Gold Genesis and the Silver Shocka mouthpieces, even though we are coming out with a few new pieces later this year. The best CAN get better!!! J Just a joke, no, not really.

The first thing I ask people is ‘what do you play’. This usually gets an answer like ‘alto’, ‘tenor’, ‘Yamaha’…. Those are the right answers to a vague question, and important to know, but what I want to know is ‘what do you PLAY!” What style, what’s your sound, your influence? Sometimes it’s just one sound, but most of the time players are looking for variety in their sound, because a gigging musician needs to play a wide range of music to please the crowds.

Once you identify that, it’s generally easy to find a mouthpiece to work for you. The good thing is, especially with CE Winds mouthpieces, they come with a money back guarantee. Generally 7 days from the time you get the item, but if you need more time, we understand.

If you are not sure what you want, you just want to play easier, louder, softer, etc…., brick and mortar music stores will have some demo mouthpieces that you can try. It’s always good to try a few mouthpieces, but also try a few reeds with each mouthpiece. From that point you can narrow down your options to just a few, and then look at the costs to see what you can purchase.

I think over a lifetime of playing, you will go back and forth between pieces. Don’t fall for the idea though that the more a mouthpiece costs, the better it is. Don’t get me wrong, have you ever played a New York Meyer 4M alto mouthpiece? Or even a vintage Otto Link “Slant Sig” tenor mouthpiece? They are GREAT mouthpieces, but they also come with a hefty price tag. I feel that if that ‘expensive’ is the best mouthpiece for you and your trade, then you should buy one no matter the cost. Consider it an investment in yourself. Just don’t buy one because it’s ‘trendy’, or someone else says it’s the best for them.

If you ever have any questions on selecting the right mouthpiece, whether vintage or new, don’t hesitate to give us an email or call. We would be glad to help.

Brian
CE Winds
904.996.9312

Monday, February 21, 2011

Eat Healthy... so you can play more.

Eating healthy is something most people, musicians, take for granted. A professional musician is on the go all the time. Usually the food is provided at the events, or your practice schedule or rehearsals are for hours on end, and it's hard to just 'take a break' when you are in the groove. More importantly, high school students, college students, and young musicians, who are bombarded with low cost options like fast food and junk food, should seriously consider their diet at a young age, which will help them continue to pursue their dreams in the professional musician job market.

One of the main reasons to start eating healthy young is health insurance. It is EXPENSIVE. My wife and I at one point were paying over $1,200 per month for a family of 5. That was more than my mortgage and association fee COMBINED! Just to insure yourself at a young age would cost you $150-300 per month. As a professional musician just starting off your career, there is a good chance that buying health insurance will be one of the last things on your list, because you will need to pay your rent/mortgage, utilities, and food. IF you make healthy choices during meal time, you will greatly reduce your chances of even catching a common cold, let alone a more serious illness.

People often say to me ‘well, eating organic is more expensive than getting a value meal”… that could not be more untrue. Sure, the cost of eating organic or whole foods may cost you more in the grocery store, but the truth is, you will find you will actually buy less of it because your body is satisfied on a lower amount of food. The second reason, and this is a big one, whether you have or don’t have health insurance, it is going to cost you MUCH more in medical expenses treating you for ailments that are usually caused by GMO (genetically modified organisms) or GE (genetically engineered) foods.

Now I’m not vegan, not a 100% vegetarian, my wife calls me more of a ‘flexitarian’. I generally do not eat meat, but when I do I am particular about what I am eating. I know there are times when I am going to have to eat what was provided me, and that to me is OK, but for the most part, I want to make sure that I am treating myself in a way that helps my body run to its fullest potential. Have you ever gotten ‘bad gas’ in your car? Well, eating bad food is like putting bad gas in your body, and may cause it too… then who is going to want to share a stage with you then, or record in a small studio… hmmmm.

If you want to be the best professional musician you can be, or the best in any profession, eating healthy should be a top priority in your life.

Brian Seltz
President
Christopher Elliott LLC

If you are interested in learning more about the food you eat, here are a few great documentaries to watch:

Food Inc
The Gerson Miracle
The Future of Food
The Beautiful Truth
Food Matters
Supersize Me

Thursday, February 17, 2011

CE Winds Feature Artist - Daniel G. Klimoski


Daniel G Klimoski
CE Winds Artist
Signed 2008

Bio:
Daniel G. Klimoski, from Hadley, MA., began his music lessons at the age of 7 on the piano, clarinet lessons at age 9, and saxophone at 11 years old. At age 13 he began his professional performing career by playing in local bands. After high school Dan moved to Boston and earned his Bachelor's Degree in Applied Music from Berklee College of Music in Boston, Ma., where he graduated Magna cum Laude and was given the Faculty Award. After teaching as a full time faculty member at Berklee, he went on tour with the Tommy Dorsey Orchestra as Lead Alto Saxophonist/Clarinetist until 1980. After returning to the Boston area, Dan earned his Master's Degree in Jazz Studies at the New England Conservatory. He has studied with Joseph Allard, Joe Viola, Gerry Bergonzi, George Garzone, Jimmy Giuffre, and Eddie Daniels. Throughout his career, Dan has shared the stage with Barry Altzschul, Jackie Byard, Richie Cole, Ella Fitzgerald, Dick Johnson, David Hildinger, Maureen MacGovern, George Russell, Little Anthony and many other notable composers and performers.

Daniel returned to western Massachusetts in 1998, after performing for Disney's first cruise ship, the Magic on its inaugural voyage. In 2000-'01, Daniel produced his first original CD entitled Muzejazz. The tunes are carefully crafted and recorded with inspiring performances by live jazz quartet. In 2002, Dan played an onstage role in the West Springfield Theatre Project at Majestic's production of Blues in the Night. Other various performances include New Year's Eve at the Iron Horse in Northampton, MA. During the summer of 2003 Daniel, played flute, piccolo, clarinet, oboe and English horn, for the world premiere of an original musical entitled "The Game" which may been seen in the Lincoln Center Archives where Sara Ramirez of Grey's Anatomy may be seen in one of the lead roles. More performance experience includes New Year's of 2004 with NRBQ at the Iron Horse, Northampton, MA., original performances with the Vermont Jazz Center Big Band, and as soloist for the Mystic Chorale in Boston, which are available on Mystic Chorale CD'S.
 
In March of 2009, after trying a CE Winds Pro Series Dark Vintage Alto, then soon after a Pro Series Dark Vintage Tenor, Dan replaced his Selmer Reference 54 Alto, Selmer Serie II Tenor and Yanigasawa SC-991, and in May of 2009 joined the CE Winds Family of Artists.

CE Winds Featured Artists are musicians who have the passion and fire to create something more than just a sound. Music is not just something that you hear, it is something real that is created from the heart of the person making it! Music is a release, captures memories, and is a motivator! Music is a gift, and we say EMBRACE IT! If you would like information on how to become a CE Winds Featured Artist, email artists@cewinds.com

Sunday, February 13, 2011

CE Winds Feature Artist - Phil French


Phil French
CE Winds Artist
Signed 2008

Bio:

Phils lifelong passion for music started at the age of nine, where he began formal saxophone training in Maryland. He honed his skills while playing in church as a youth and continues to minister with his gift in both the Christian and Secular arenas.

Phil has had the experience of performing with many talented individuals including: the late Grover Washington, Jr., the late Stanley Turrentine, Pieces of a Dream, Marion Meadows, Norman Connors, Brian McKnight, Ollie Woodson of The Temptations, the Clark Sisters, The Winans, Fred Hammond, and Richard Smallwood. He also performed on albums with Ben Tankard, Alvin Nesbitt, and Amos Davis. For four years Phil was a band member and music director for the Grammy Award winner Yolanda Adams. While playing with Yolanda, he also had the opportunity to record on her album “More Than a Melody”. During the same time he was also a band member of the legendary Jean Carne. His experiences with Yolanda Adams and Jean Carne helped him to polish his stage presence.

His first album, “You've Been So Good”, is an expression of God's perfect will being performed in his life. The soothing tones on his second album, "Royal Love Songs", were inspired by a combination of life events.

Phils goal is to use the gift God gave him in music as a language to cross all barriers.

CE Winds Featured Artists are musicians who have the passion and fire to create something more than just a sound. Music is not just something that you hear, it is something real that is created from the heart of the person making it! Music is a release, captures memories, and is a motivator! Music is a gift, and we say EMBRACE IT! If you would like information on how to become a CE Winds Featured Artist, email artists@cewinds.com